Wednesday, January 21, 2015

Period 1 - Semester Final


  1. I really like the ninth photo in the slideshow because 1) the silhouette is so clear and defined even through the mist, 2) it isn't so much the actual deer that you seem to immediately direct your eyes toward but the curved, almost intimidating antlers which seem so striking in the picture, and 3) that something so rare as a bird perching on an animal much larger than it with such a calmness could be captured by a photographer.
  2.  I believe the sixth picture in the slideshow is the best because 1) the sky seems to open up until a gaping hole is left in the middle, which can represent the unseen lake that has since dried up, 2) the picture is taken in a way that stretches out the background, as if the car will keep driving on forever and to nowhere, and 3) the bright colors of the shirts of the men in the car seem to stand out in front of the plain and barren background, clearly displaying their excitement for Speedweek.
  3. 3. My best work this semester is the Masters of Photography Project. This is because 1) in my earlier photos, I edited them all too much to the point that they look unnatural, 2) I was able to use inspiration from a master photographer (Irving Penn) as a guide, and 3) the pictures came out as simple (as was Penn's style) yet clear and defined, while some of my earlier work just seemed plain and lacked a certain creativity. If I were to have more time to work on this project, I would want to put even more creativity into my photos and show more of myself rather than Penn. For example, I would have liked to work around a bit with shadows and silhouettes to add a little mystery to the pictures.
  4. My three rules of composition are framing, depth, and color.
  5.  Framing and depth are two rules of composition that can be seen in this photo below. When I took this photo, I chose to have Ashley stand in between two rather tall posts. With Ashley standing in front of them, her whole physique seems to enlarge. The framing allows her to take on a more distinct presence. Depth can also be seen in the photo. While the sun is behind Ashley, its rays shine out in front of her and even gives her hair a light and warm aura. Meanwhile, the moon can also be seen much further back, as if to give room for the sun to shine.
    10/27/14 My friend Ashley at the bell tower.
  6. Mr. Farley's first rule of composition is shallow depth of field.
  7. The benefits of working in the group include 1) getting inspiration from others, 2) being able to immediately ask someone for help if previously absent, 3) being able to collaborate together on ideas, 4) automatically having several people at your side to pose for you, and 5) giving each other honest and critical input on photos.
  8. The difficulties of working in a group are 1) having less time to be independent and work on one's own photos, 2) unconsciously copying another's work without realizing it instead of taking inspiration (less creativity), 3) not getting along with group  members due to unfriendliness or personal/opinionated differences, 4) goofing around with each other when one should be working, and 5) having some members of the group contributing much more work than others in that same group.
  9. I really liked Aileen's picture of the boots behind a puddle. While only the boots are visible in the picture, the rest of the body is visible in the reflection, which I find an interesting concept. Also, the neutral colors in this photo capture the winter season.
  10. For the Masters of Photography project, I reproduced the work of Irving Penn. He is largely known for his contributions to the covers of numerous Vogue magazines.
  11. Dorothea Lange's most popular photo would be Migrant Mother. It was taken in 1936 at a campsite in Nipomo, California. When she took the photo, she was employed by the Farm Security Administration (FSA).
  12. Life magazine began publishing on November 23, 1936.
  13. Elvis was born on January 8, 1935.
  14. Robert Capa was a founding member of Magnum Photos, which started in 1947.

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